Showing posts with label kid lit. Show all posts
Showing posts with label kid lit. Show all posts

Wednesday 18 April 2018

5 tips to writing books for children (With words by published children's author, Carol Baker!)



It isn't as easy as A B C. Writing for children is a lot more challenging then a lot of people would expect.

Children demand engaging, thought provoking and linguistically interesting books that capture their hearts and light up their imagination. As a writer is it difficult to know when your story is too simple or too complicated for your chosen age range, or even if your writing will appeal to your target age range.

I spoke to Carol Baker, a teacher with a passion for English Grammar who recently commissioned me to illustrate her own children's book; Armored Armadillo to Zippy Zebra – An alliterative anthology of animals

With Carol’s professional advice, I have compiled these 5 most important tips to writing for children.



Don’t preach or lecture

It’s tempting to put wholesome, life lessons into your book, especially if your story has a moral that is revealed at the end. But children know when they are being taught a lesson; and it’s too much like school. They spend much of their day being told what to do and taught how to behave, so young readers will shy away from books like this.

Try and avoid writing your ‘moral’ at the end of the story in an obvious way, and instead use the character and the story to show how the person has learned and changed. For example a book about a boy who never shares his toys may end with the boy learning to share, but instead of writing this as the boy’s Mum telling him, ‘Sharing is kind and the right thing to do, so you should always share,’ how about the boy finds out for himself that sharing makes him more popular and he prefers the friendships he makes more than his toys, leaving them discarded at the end of the book as he runs off to play with his friends?

Books that have good lessons hidden below the surface are much more likely to be fun to read, and children are smart enough to learn that this behaviour can benefit them too. When you find yourself preaching, ask yourself; how can I imply this without saying it outright?

Carol’s career as a teacher prepared her for this.

My passion has always been English grammar, and I particularly enjoyed teaching fairy tales and folk tales to children.  Valuable life lessons and English grammar structures can be learned from these simple stories which many of my ESL (English as a Second Language) students grasped unknowingly as they began reading.  A good teacher can make learning enjoyable.

Although “Armored Armadillo to Zippy Zebra, An Alliterative Anthology of Animals” can be read for pure enjoyment, many parents and teachers will appreciate the ways they can apply the book as a teaching tool. 








Write from a child’s point of view

A great practice session for this is to listen in on children having a conversation without adults. How do they ask questions? How do they put their sentences together? Children have a unique way of interacting with the world around them, and they will find it difficult to read a book that is written in an adult environment. 

A child will not only understand your story better, but they will also relate to your characters much more if they talk like them and think like them. Here’s a great example.

An adult might say; ‘Where does the sun go after sunset?’
A child might say; ‘Where does the sun sleep at night?’

If you are writing what you think a child should hear – stop right there. Go back and write as if you are immersed in the world of that child. Tables and chairs tower over your head, adults eat strange things and you can’t understand why pouring mud onto the living room carpet is so bad.



Don’t treat your readers like little kids

'But they ARE little kids!' I hear you exclaim.

Think about it. What child likes being told they’re too little and inexperienced? Young children love to think they’re all grown up. When they are reading (or being read to) they want to feel like they are powerful, respected and that the person telling the story understands them.

Children are a lot more intelligent and perceptive then most adults give them credit for. It’s a fine balance between giving them the opportunity to piece a story together themselves, working out something that they might not understand at first, and still keeping it simple enough that they can still follow the plot without getting frustrated and abandoning it. Carol Baker does this by providing some easy to pronounce, well-known words with new, more difficult ones that children can learn.

I knew I was going to choose an animal for each letter of the alphabet as the basis of my book, but it took me two years to decide what vehicle to use for showcasing these animals.  Should I make it funny or factual?  Should I make it rhyming?  What age readers should I target?  When I decided to give each animal an alliterative adjective, I saw alliteration as my vehicle.



Kid’s LOVE silly humour

While illustrating for Carol Baker, I slipped a pair of underpants into an illustration. Carol wasn’t keen on the idea and removed them to the dismay of her Granddaughter. After seeing her young test audience giggle so much when they saw the clothing, Carol decided to put the underpants back in.



It’s not just underpants. Snot, poop, bogies – if it’s gross and inappropriate, young kids will love it! Adults on the other hand, will have no idea what is so funny about it.

Don’t be scared to throw in a few rude situations in both your writing and the accompanying illustrations. If you’re unsure, test them out on a willing young subject and see if they laugh. You’ll be surprised!


Say more with fewer words

Children’s books typically have fewer words to play with; so don’t waste them. Make every word count by eliminating any words that aren’t essential to the story and use outstanding, interesting words that add to the atmosphere you are trying to create.

Carol Baker does this perfectly in her book. Without going over ten words per page, every single word she uses gives something to the reader so that the sound they make when spoken are pleasant to hear and conjure up the exact image that is needed to understand the meaning.

Tell the reader the important bits, and use the illustrations to show them the rest.


 Carol's inspiration for her book came in a dream one night and a few years later she's selling copies of her book on Amazon and Barnes & Noble as well as at local bookstores and events. 

My book showcases entertaining and educational alliterative descriptions of real animals with beautifully detailed and colorful illustrations which include an “I Spy” feature that can be enjoyed by both children and adults.
I’m very pleased with this project!  I have a brilliant illustrator, and I am proud of my alliterative descriptions.



You can your copy of Armored Armadillo to Zippy Zebra – An alliterative anthology of animals here; www.amazon.com


If you’re interested in getting a quote for illustrations for your book, you can email me to find out more! izzybean@izzybean.co.uk

Thursday 28 May 2015

Author Interview - GRANDMA PAINT POT talks about her process, inspiration and hurdles!

Author Interview

Grandma Paint Pot






Grandma Paint Pot (named so by her Grandchildren) was born and raised in South Wales, but now resides in Cornwall which gives her the inspiration for her book series - 'The Sea Creatures'.


A keen writer, poet and outdoor walker; Grandma Paint Pot is a nature lover and this shows in her beautiful writing which features an array of adorable characters from a Selfish Shellfish to a Starfish with a missing leg! 




Thankyou for taking the time to talk to us, can you start by telling us more about yourself?

I’m a mother of three and a grandmother to four lovely grandchildren. I was born and raised in the Rhondda Valley, South Wales. Now, I live in Cornwall, in a caravan. I love to spend time out of doors walking the coastal path and feeling close to nature. I have two Border Terriers - Charles Dickens and Oscar Wilde - and in June will be having a Springer Spaniel puppy. She will be called Lizzie Lou after the heroine in the novel I am currently writing. I have a BA (hons) in Literature and an MA in Professional Writing.

Great names! How did you start writing for children?


I’ve written poetry since the age of thirteen or fourteen. When my children were quite young I started rewriting nursery rhymes such as: What was Humpty doing, sitting on the wall, he shouldn’t have been up there, it was obvious he’d fall... My children attended the Welsh school and had several cousins around the same age. I wrote my first children’s story for them. It was handwritten into a blue scrapbook in the Welsh Language and every character in the story was named after the children. I drew all the illustrations. I have since translated it into English and changed the names accordingly to suit newer, younger family members. I might use elements of it in a future publication.

Do you have a process you follow when writing?

Usually, a germ of an idea might take hold and I play around with it in my head for some time. With my publication The Selfish Shellfish, I was playing around with this title for a poem, focusing on the tongue twisting alliteration. I then thought I could make up some other sea creature characters. When I had several characters the idea grew into something bigger. In my head, each character had a voice.

            I don’t commit anything to paper until I’ve thought out the entire story. Then I write it up, and after that I type it on the computer. More often than not the word count is far too much and that’s when I begin to edit it down and structure it.

What or who gives you inspiration?

Nature is the most inspirational thing there is. I can look at the sea, a river, flowers, trees, the earth, the sky and never fail to be moved. I love watching the birds and animals and life in general. The world seems so simple and straight forward and breathtaking and mysterious. It is lifetime of study.

I admire so many writers but, in my eyes, Julia Donaldson is a children’s writing phenomenon. She creates beautiful characters, beautiful stories, empathetic scenarios and puts them together in verse.

Did you encounter any problems when releasing your books?

As a self-publishing author (as with any author, I suppose) I have to create interest in my book via social media. This is something that causes me a few problems. How to connect with the right people? How to reach people other than friends and family? How to pitch your posts and blog in such a way that will engage and draw interest without coming across as pushy, boring and completely self-indulgent?  

What was the BEST part of releasing your book?

The best part about releasing my books was (firstly) holding a physical copy and then seeing copies on the shelf in bookstores. It gives a wonderful sense of achievement. Also, it’s an amazing feeling when people come up to me and say: my child loves your book. When asked what book they want at bedtime they always want to read The Selfish Shellfish.

...and the worst?


The worst part is facing rejection from some booksellers. It’s tough to take when someone says they don’t want to stock your book - for whatever reason. Some places will order my book for a customer if they ask for it specifically but the chances of that happening is unlikely. As a new, independent author my book needs to be on display to stand any sort of chance in such a saturated market.

It sounds like you love doing what you do! 
What were your favourite books when you were a child?

I grew up in the world of Enid Blyton. I loved everything from Noddy and Big Ears, The Famous Five to Mr Meddles Muddles and Brer Rabbit. But, if I had to pick one book from my childhood, it would be Joanna Spyri’s Heidi. I always wanted to live on top of a mountain, sleep in a bed of straw, eat fresh bread and cheese and run wild all day. It was my kind of heaven.

Do you have a favourite place to write?

I love going somewhere to write rather than staying at home. Often, I write in The Falmouth Hotel. I order a pot of coffee, sit in the window overlooking Castle Beach and write the morning away. This is one of the reasons I set The Selfish Shellfish on Castle Beach and some wonderful illustrations of the Hotel feature in the book.
            I also like to write in cafes or libraries or anywhere I’m not distracted by thoughts of chores I should be attending to.

Finally... 'The big debate'; physical books or eBooks - which do you prefer?

I much prefer a physical book. I buy ebooks for convenience. They make ideal traveling companions and, as I live in a caravan, they don’t clutter up my cubby holes. My books are also available as ebooks for these very same reasons, and because I want to cater for the ebook market. But physical books are special. They are personal and intimate. In my opinion, a person - young or not so young - is more likely to flick back through the pages of a physical book time and time again to enjoy the feel and colour of the book and to linger over the words, and each time the book is revisited they will see and understand something different and gain a bigger picture. 

Thanks for sharing with us Grandma Paint Pot!



Grandma Paint Pot is currently launching her latest book; Stanley Penwellington and the Exploding Seagulls

Until then, you can check out her books below!

The Selfish Shellfish (ISBN 9781781322147) is £7.99 
The Selfish Shellfish ebook (ISBN 9781781322154) is £5.99
Leonard Limpet Lost at Sea (ISBN 9780993090707) is £7.99

Leonard Limpet Lost at Sea ebook (ISBN 9780993090714) is £5.99

Buy from...



Or on sale locally in Falmouth at;


Falmouth Bookseller
The Falmouth Hotel
The Maritime Museum
Cornish Maid, Mawnan Smith
Meudon Hotel, Mawnan Smith

The Kingsley Village
Seawitch Stores, Mousehole
The End of the Earth, Hayle

Visit Grandma Paint Pot and find out more!